“Doesn’t agree with you?” inquired Miss Ensor. “No, it isn’t,” she contradicted. “It’s simple and big and kind. I always used to feel it disapproved of me. I believe it has come to love me, in its solemn old brick way.”!

Madge did not reply immediately. She was watching the rooks settling down for the night in the elm trees just beyond the window. There seemed to be much need of coming and going, of much cawing. She felt so sorry for him. He looked such a boy, with the angry tears in his clear blue eyes, and that little childish quivering of the kind, strong, sulky mouth.

She reached home in the evening. The Phillips’s old rooms had been twice let since Christmas, but were now again empty. The McKean with his silent ways and his everlasting pipe had gone to America to superintend the production of one of his plays. The house gave her the feeling of being haunted. She had her dinner brought up to her and prepared for a long evening’s work; but found herself unable to think—except on the one subject that she wanted to put off thinking about. To her relief the last post brought her a letter from Arthur. He had been called to Lisbon to look after a contract, and would be away for a fortnight. Her father was not as well as he had been. In the end she would go into Parliament. It would be bound to come soon, the woman’s vote. And after that the opening of all doors would follow. She would wear her college robes. It would be far more fitting than a succession of flimsy frocks that would have no meaning in them. What pity it was that the art of dressing—its relation to life—was not better understood. What beauty-hating devil had prompted the workers to discard their characteristic costumes that had been both beautiful and serviceable for these hateful slop-shop clothes that made them look like walking scarecrows. Why had the coming of Democracy coincided seemingly with the spread of ugliness: dull towns, mean streets, paper-strewn parks, corrugated iron roofs, Christian chapels that would be an insult to a heathen idol; hideous factories (Why need they be hideous!); chimney-pot hats, baggy trousers, vulgar advertisements, stupid fashions for women that spoilt every line of their figure: dinginess, drabness, monotony everywhere. It was ugliness that was strangling the soul of the people; stealing from them all dignity, all self-respect, all honour for one another; robbing them of hope, of reverence, of joy in life. “You see, dear,” she went on, her face still turned away, “I thought it all finished. It will be hard for me to go back to him, knowing as I do now that he doesn’t want me. I shall always feel that I am in his way. And Hilda,” she added after a pause, “she will hate me.”